Honoring Hekate on the Dark Moon: Suggestions for Rituals, Correspondences and Offerings BY CYNDI BRANNEN

The Dark Moon, occurring on the astrological new moon, is a time that many followers of Hekate set aside to honor her. There are many different ways to perform a Deipnon ceremony, but most include preparation, cleansing, creating sacred space, the working and follow-up. In this article, I offer some recommendations including a list of correspondences and offerings appropriate for honoring Hekate at the Dark Moon or anytime.

There is no definitive “how-to” concerning honoring Hekate during the Dark Moon (or any other time). The answers for questions about honoring Hekate can’t necessarily be found in any book, although historical and contemporary writings about her can shine a light on how we should approach our rituals.



Honoring Hekate is an Intimate Experience

I typically honor Hekate with a pilgrimage to High Head, a stunning granite outcropping near my home on the Atlantic coast of Nova Scotia. This is a contemplative ritual including prayers to Hekate and connecting to certain epithets. This is my time to enter into a state of grace and wonder for all of creation. I see Hekate as the energy that fuels all living things. My idea is entirely personal, but since I had this notion I’ve discovered that others in modern times also see her this way and that The Chaldean Oracles provide a historical context for my intimate practice.

Honoring Hekate on the Dark Moon or any time can (and should) be a very intimate experience, reflecting your personal understanding of her. Including elements based on the historical practices can be a very meaningful way of expressing your feelings for Hekate.

Deipnon Preparation: Focus and Planning

Deciding what to focus on for the Deipnon (or any) ritual is a personal process. Hekate’s three formed nature is a context for situating my devotional acts that I often use. This can include honoring her Under World, Middle World and Upper World roles which correspond to my three selves and their primary energies of feelings,

READ MORE:  https://www.patheos.com/blogs/keepingherkeys/2018/05/simple-ways-to-honor-hekate-on-the-dark-moon/






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In many Wiccan traditions, the Goddess takes a three-fold form, known as the Triple Goddess. Her individual aspects, known as the Maiden, the Mother, and the Crone, are aligned with the phases of the Moon’s cycle as it orbits the Earth—the waxing crescent, the Full Moon, and the waning crescent. These aspects also represent the three phases of a woman’s life in terms of physical reproduction—before, during, and after the body’s ability to have a child.

But while a woman will proceed linearly through these phases in a literal sense during her lifetime, each aspect of the Triple Goddess has qualities that all of us—male and female—resonate with at various points in our lives. Indeed, the three-fold form of the Goddess could be said to reflect the complexities of the human psyche, as well as the cycles of life and death experienced by all who dwell on Earth.


The concept of a triple deity can be traced back to ancient civilizations, such as the Celtic goddess Brighid, who rules over three crucial skills within Celtic society: healing, poetry, and smithcraft. Another example is the goddess Hera, who has three different roles in Greek mythology: Girl, Woman, and Widow. These major goddesses were likely at least part of the inspiration for an important book in the history of Wicca’s development: The White Goddess: a Historical Grammar of Poetic Myth by Robert Graves.

Graves was a British poet and scholar, writing around the time that Gerald Gardner and others were first practicing their form of Witchcraft which eventually became known as WiccaThe White Goddess made the case that cultures throughout pre-Christian Europe and the ancient Middle East worshipped a White Goddess of Birth, Love, and Death, and that she had different names in different regions. Other, earlier writers also described a Triple Goddess, including Aleister Crowley and Sigmund Freud.

Gardner himself did not worship the Triple Goddess in his tradition, but other Witches of the time were drawn to her, including Robert Cochrane, who is often credited with bringing her into the modern Witchcraft movement. However, it was during the 1970s that the Triple Goddess as we know her today—Maiden, Mother and Crone—became firmly rooted in many forms of Wicca.

But rather than being a single identity taking different forms, the Wiccan Triple Goddess is typically represented by three separate deities, each an aspect of the Goddess in her own right. These may be borrowed from one or more ancient cultures. For example, many worship Diana (Roman) as the Maiden, Isis (Egyptian) as the Mother, and Kali (Hindu) as the Crone. These designations are rooted in the individual deities’ roles within the cultures they are borrowed from. Isis, for instance, was a mother goddess in ancient Egypt.

Each aspect within the Triple Goddess is associated with particular seasons and other natural phenomena, as well as human characteristics and elements of life on Earth. These associations can be used to call on the appropriate aspect of the Goddess during magical work, ritual worship, and prayer.